The Piano Lesson: Memory is the Thing
Narrative Heritage: Film Camille Ora-Nicole Narrative Heritage: Film Camille Ora-Nicole

The Piano Lesson: Memory is the Thing

The field of historic preservation in America still tends to prioritizes architectural significance over cultural significance in important places. The West also prioritizes written history over oral history, and oppressor history over those that have been oppressed. What do you do when preserving your culture is a call and response instead of a thesis, when it’s carved into a piano instead of documented on paper?

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A Love Letter To JAWS (1975)
Narrative Heritage: Film Chelsey Crabbe Narrative Heritage: Film Chelsey Crabbe

A Love Letter To JAWS (1975)

Tourism has talons and these talons dig into communities in unflinching ways. Therefore, these places are complicated. Tourism touches most parts of the planet, but certain areas get more heat than others. This leaves locals stuck inside some twisted catch-22. What IS the cost of closing a beach? In the case of JAWS, the cost is four lives and 24 hours of income lost.

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American Fiction: Who Gets to Tell What Stories?
Narrative Heritage: Film Camille Ora-Nicole Narrative Heritage: Film Camille Ora-Nicole

American Fiction: Who Gets to Tell What Stories?

Generally, white publishers look for stories of Black trauma. The stories themselves are not a problem; they are valid because they are often rooted in reality. Telling these stories only becomes a problem when they are the only stories being told. American Fiction brings light to the complicated nature of publishing or making art while Black in a late capitalist world.

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